Sometimes Zuzu's petals are all you have to hold onto. And as serial killers are often tagged as psychopaths, we assume that the menacing nature of Kevin is dormant in him at birth. Directed by Peyton Reed and produced by Kevin Feige, p.g.a. Firstpost - All Rights Reserved. However, the story's unflinching refusal to provide answers for who was responsible carries over. Footsteps approach the tent and a figure walks past. Swinton gives an outstanding performance, somehow managing to repeatedly convey implacability and vulnerability in the same moment. Franklin does not and cannot understand Kevin, and completely resists any opportunity to do so. Sometimes Zuzu's petals are all you have to hold onto. ROHAN: Since Jentorra is the leader of the rebellion, was there anything specificyou tried to channel or watch to get into her headspace? The light outside disappears. The film does not show us how Kevin presents the eyeball to Eva in jail. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Some interpreted scene at the gym as her being repulsed by pregnant bodies, but I am thinking she was like "why can't I be happy and bubbly with this child like they are?" Home | This is the fear of parenthood. Apparently even before he began to talk, Kevin made a vow to punish Eva for her feelings. Jake Martin, visit our special Oscars season blog, Movie Minister. He's aware of her feelings toward him, and throughout the film, points them out. Kevin has numerous reasons to hate his mother, Eva. Of course, that mental illness is presumed by viewers. She finally gets her excuse to abandon Kevin but doesn't act on it. Index | The most horrendous thing for her to stomach is not that his misanthropy and violence is really exotic and foreign; the thing that is really horrendous is that she recognises it only too well, because it comes from her. Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. ET. In this one, it is Kevin's triumph. We cling to guidelines like the length of Tilda Swinton 's hair to figure out where we are. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? While the film isn't as explicit as the book, both versions of Eva are grappling with Kevin's final answer as they wonder if it's even worth feeling weighed down by the question of responsibility. There are two really great examples of this: the first is the bow. So, I think it'd be really cool to explore that either in future Quantum Realm stuff or if somehow I got sucked out into the surface world or something, any of that would be fun. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. For more information, please see our Eva repeatedly tries and fails to create a bond with her son according to traditional societal expectations. Kevin appears in a short sleeve red shirt as a toddler. She mentions that she believes he'll be released in five years. Years later, the birth of her daughter Celia, on the other hand, feels more festive. So, me, I'm surrounded by comedy, and I have to bring the reality of what's going on. Does their parental neglect make them culpable for the lives he took? So, you kind of draw from that, but then, you also think about just putting yourself in that position too. There seems to be almost no form of abuse she is not willing to take as belonging to her for what has happened. Kevin knows that Celia is his mothers favorite offspring, and he goes to great lengths to make his mother feel uncomfortable. If this were an act of self-penance it might make sense, but there's no real sense Eva is doing it out of guilt either. this is the best pro-antinatalism PSA out there . At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. It asks, "who is to blame when something horrific happens?". From ths beginning of the movie they lay out the whole story, but it isn't until you watch the full thing that you piece everything together and get this larger than life story. So, I think it'd be really, really cool to see if they came up with something else. A prolific writer and the ostensible head of a travel agency, Eva cares more about her own unfulfilled wishes than her ever-menacing son. In a fit of rage at Kevin's soiling his diapers (at 7), Eva throws him down and breaks his arm. With Franklin there is no conflict. Kevin eats the lychee with a degree of grossness, and when his mother says that he never liked lychee as a fruit, Kevin has to say that it is an acquired taste. Ironically he becomes a miniature doppelganger of her, all sharp angles and androgynous countenance lying in direct contrast to the lovably rounded and craggy features of his father. She created a relationship which encouraged him to act out as horribly as possible to get the most honest reactions from her, because she only ever showed him her real emotions when she was disgusted. for disturbing violence and behavior, some sexuality and language, Berlinale 2023 Highlights, Part Two: Reality, Manodrome, The Adults, Inside, Golda, Angela Bassett, Jamie Lee Curtis, Brendan Fraser, Cate Blanchett, Colin Farrell and Brendan Gleeson Feted at SBIFF 2023, Revisiting Martin Scorsese's Alice Doesn't Live Here Anymore, Tragically Common: Jamie Dack, Lily McInerny and Jonathan Tucker on Palm Trees and Power Lines. And of course from there, we learn he perpetrates a mass killing at a school. None of that takes anything away from yet another deeply felt performance by the always-interesting Swinton. Watch Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now. Sometimes Zuzus petals are all you have to hold onto. Sign up for weekly updates from Busted Halo! Starring: Tilda Swinton, Ezra Miller, John C. Reilly. This turns out to be some sort of annual Italian tomato festival, but the image is disturbing. We see her birthing of him as rather fraught and his incessant crying drives her nearly mad. He can't understand her, but don't you suppose he understands her dislike? His son is who Franklin says he is, and anything else is just invisible. Eva is attempting to play the part of mommy as defined by popular culture; the cooing, gooey, all-encompassing ubiquitousness to her child. He's positive, cheerful, disconnected; he always behaves as nicely as he can, and in doing so, suggests his profound cluelessness. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. When he breaks his arm? At one point, she mockingly. So, his dressing sense is perhaps not an indictment of his bitterness. We Need to Talk About Kevin. Hes a friendly and vibrant young priest and a gifted preacher. Only with her because his father was at work whole day and saw his son for like an hour a day. An important film that attempts to delve into the psychology behind the high school massacres we seem to read about in the news on a weekly basis. The novel by Lionel Shriver relates the story through a series of letters Eva writes to her husband Franklin. Nicoletta Vallorani in her essay Of women and children: Bad mothers as rough heroes, reads a Biblical metaphor into We Need to Talk About Kevin. Alienated from friends and community, all she has left is her son. For instance, post-partum depression similar to hers is very common and probably didn't do as much damage as she ascribes to it. If you look one level deeper it's clear that Kevin was deeply and horribly emotionally abused by both of his parents, and in a genuinely loving family he would not have turned out the way he did. As he grows up, we see him in a blue t-shirt, and consecutively, in a bland white one. About | So what about Franklin? Eva Khatchadourian (Tilda Swinton), a former travel writer, gives up her life of adventure when she becomes pregnant. See movies like "The innocents" (1961, Jack Clayton) (pay attention to the title) and "The omen" (1976, Richard Donner). We Need to Talk About Kevin (2011) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. It was a really short moment, and then yeah, I would have loved to have had some interaction with Janet, but that wasn't even in there. But Eva is incapable of showing him the love that he deserves, even after trying her best. Ultimately what it winds up giving us is perhaps the most important truth of Christianity, namely that God is the hope to be found in the midst of the smoke and ashes. We also did a lot of blue screen work before, which really helps with the imagination. It is good to be more sensitive to the plights of children in general. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community wont rally around you and more often than not Mr. Potter carries the day. Shortly after, Eva goes back to the house. February 24, 2023 at 12:05 PM ET. The film opens to the sounds of sprinklers tch-tch-ing, before the first shot reveals a half-open patio door whose curtains are wafting with the wind. and Stephen Broussard, p.g.a., Ant-Man and The Wasp: Quantumania also stars Jonathan Majors as Kang, David Dastmalchian as Veb, Katy O'Brian as Jentorra, William Jackson Harper as Quaz and Bill Murray as Lord Krylar. The film depicts him as a psychopath beyond redemption. Like Lady Macbeth, she tries to scrub the guilt off her hands. It's why vandals paint Evas house in red, and neighbours take out their anger on her. Kevin's antics swell into violence during his teenage years, further driving a wedge between his parents and mutilating his little sister Celia (Ashley Gerasimovich) along the way. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community won't rally around you and more often than not Mr. Potter carries the day. "We Need to Talk About Kevin" is a movie adaptation of Lionel Shriver's novel with the same title. From here he becomes a sociopathic teen with a rather keen interest in archery. The film moves without any pattern between past, present and who knows when. For example, sociopaths are more erratic, and they dont make drastic decisions such as Kevins. According to medical practitioners, psychopaths are born so, while sociopathy is a result of conditioning in childhood. Those trucks have the new UPS logo, where if the time-frame is correct, the trucks would have had the old logo of a stringed parcel above the UPS Shield. The Ending Of We Need To Talk About Kevin Explained. The film shifts almost all of its attention to the mother of the disturbed Kevin, Eva (Swinton). Reilly is typically wonderful in a thankless role, while both juvenile actors evince a low-grade rage that never moves into complete disconnection or full-blown psychosis. An early scene shows Eva apparently participating in an orgy in a lake of blood. "At the end of the day, I have no idea, and that pure, serene, ignorance has become, itself, a funny kind of solace," she writes in a letter to her deceased husband. But her expression is one of strained indifference. Some of the content presented on our sites has been provided by fans, other unofficial websites or online news sources, and is the sole responsibility of the source from which it was obtained. While we are not sure whether Kevin consumed the eye itself, we know from the book that Kevin keeps Celias glass eye as a souvenir after assailing her. Be respectful! Neither parent punishes him or seeks outside help, leaving him to his own devices. In an ordinary movie, there would be scenes in classrooms, meetings with counselors, heart-to-heart discussions between the parents. Kevin gets taught about sex from his mother but he already knows what it is and calls it "fucking". Or did Kevin turned this way because she messed him up from the very birth. Kevin's insidious nature is best exemplified in a scene staged in the aftermath of Celia losing her eye. The white curtains create an ambiance of premonition, and as the camera tracks forward, we see Franklin and Celia lying dead in the middle of the back garden, blood-drenched arrows stuck to their bodies like leeches. But when he just sits there frowning, she expresses real disgust towards him. Use the boards for extended discussion. This is why, in the final scene, he no longer knows why he performed the massacre. Swinton told me of a line in the script that wasn't used, wisely, I believe. Terms Of Service | Though unlike the Shakespearean character, the question of Evas guilt has a lot less cut-and-dried answer. Twice in flashbacks to Kevin's parents in their dating days, a UPS terminal with trucks can be seen in the near background. Kevin is a defiant baby who screams incessantly but never around Franklin. KATY: It was really different, obviously, than the comic book version. Not sure I get the fuss about this one. Something just happened. Go do something. Kevin is a defiant baby who screams incessantly but never around Franklin. It's a cyclical pattern, making it impossible to hold just one person accountable for everything. The most plausible answer is that Kevin killed the family to hurt his mother. When the child Kevin is sick and nuzzles close to his mother as she reads, his father comes to the door and is rejected in favor of his mother, the look on Evas face is one of wonder and delight. Eve disobeyed, she ate the apple and she was punished by becoming not only human but also a mother. The flow-on problem with Kevin's malevolence is it defies credibility that the father can't see any problem with his son (or, that Kevin is clever and manipulative enough to deceive him from an early age). The movie we see is her collecting every horrible interaction she ever had with her son and putting it under the umbrella of "things I did," because the only way she can cope with the insanity of what her son did is by fitting it to a narrative where she's responsible. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. When asked about the film adaptation in an interview with The Guardian, Shriver said her biggest concern was if they'd be able to "capture the quality of the slightly unreliable narrator and the ambiguity over who is to blame. 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